Sylwia Dobkowska

写真a

Title

Lecturer

Researcher Number(JSPS Kakenhi)

91024537

Laboratory Address

3-420

Mail Address

E-mail address

Homepage URL

https://dobkowska.com

Profile

Dr Sylwia Dobkowska is Assistant Professor at the University of the Ryukyus in Japan. She completed her studies (BA, MA and PhD) in the United Kingdom. She specialises in contemporary British Theatre.

Current Affiliation Organization 【 display / non-display

  • Duty   University of the Ryukyus   Faculty of Global and Regional Studies   international language culture program   Lecturer  

University 【 display / non-display

  • 2006.10
    -
    2009.06

    University of Wolverhampton   Drama and Theatre   BA (Hons) in Drama and Performance   Graduated

  • 2009.10
    -
    2010.10

    Goldsmiths University of London   Faculty of Design   MA in Design   Graduated

  • 2010.10
    -
    2015.01

    Royal Holloway University of London   Drama and Theatre   PhD in Theatre Studies   Graduated

Academic degree 【 display / non-display

  • Royal Holloway University of London -  PhD in Theatre Studies

  • Goldsmiths University of London -  MA in Design

  • University of Wolverhampton -  BA (Hons) in Drama and Performance

External Career 【 display / non-display

  • 2015.01
    -
    2018.08

     

  • 2016.09
    -
    2024.09

     

  • 2017.04
    -
    2025.03

     

  • 2020.02
    -
    2025.03

    University of Gdansk  

Affiliated academic organizations 【 display / non-display

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    Theatre and Performance Research Association 

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    The International Federation for Theatre Research  

Research Interests 【 display / non-display

  • Theatre Studies

  • Underwater Art

  • Theatre in Language Education

Research Areas 【 display / non-display

  • Theatre Studies

Acquisition of a qualification 【 display / non-display

  • Fellow of the Higher Education Academy, UK (FHEA)

  • Teaching Certificate in Higher Education

Research Theme 【 display / non-display

  • Absence in Theatre

Published Papers 【 display / non-display

  • Creating a New English: Performance and Creative Writing in EFL Education

    Sylwia Dobkowska, Meghan Kuckelman

    欧米文化論集   ( 70 ) 1 - 18   2026.03 [ Peer Review Accepted ]

    Type of publication: Research paper (bulletin of university, research institution)

     View Summary

    This article makes a case for the inclusion of creative writing and performance as necessary and vital parts of university-level EFL curricula. Not only has creative work been shown to have beneficial impacts on both motivation and proficiency in foreign languages, but it also offers ways for students to assert their own identities, cultures, and personalities in opposition to the native speaker bias. Further, the article argues that there is a current lack of resources available for instructors who wish to include creative work as all or part of their EFL syllabi. It ultimately proposes the development of a textbook of creative EFL work that joins poetry, fiction, and performance.

  • A nuanced cultural dimension of beauty in Japan, seen through yaeba and ohaguro.

    Journal of Face Aesthetics     2026.03 [ Peer Review Accepted ]

    Type of publication: Research paper (scientific journal)

  • Okinawan Absence: Ma in Kumiodori.

    Sylwia Dobkowska

    Theatre Research International ( Cambridge University Press )  49 ( 3 ) 265 - 279   2025.01 [ Peer Review Accepted ]

    Type of publication: Research paper (scientific journal)

     View Summary

    Abstract This article considers the Okinawan aesthetic of Kumiodori and the role of absence in making a performance. There are two case studies of Kumiodori performances selected for this article, both written by the maker of this theatre style – Tamagusuku Chōkun. I watched both performances of Kōkō no Maki and Nidō Tekiuchi in the National Theatre in Okinawa. I discuss the concept of absence, described as ma (間), through the theory and the interpretation of those performances. The article begins with a brief outline of Kumiodori and the cultural context of the Ryukyu Kingdom, followed by description of the concept of ma in literature, live performance and the culture in general. Finally, two case studies are introduced. The article aims to present an example of the Okinawan version of ma in theatre.

  • The Absence of Time: Jerzy Limon’s Philosophy of Time and the “Fifth Dimension” in Theatre

    Sylwia Dobkowska

    On time. Essays in Honour of Professor Jerzy Limon ( University of Gdansk Press )    103 - 123   2023.05 [ Peer Review Accepted ]

    Type of publication: Research paper (scientific journal)

  • Japanese Theatre: Creative Learning

    Włostowski M, et al. edited by Dobkowska S

    Silva Iaponicarum     2022.10 [ Peer Review Accepted ]

    Type of publication: Research paper (scientific journal)

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Books 【 display / non-display

  • Performance of Absence in Theatre, Performance and Visual Art

    Sylwia Dobkowska ( Part: Single Author )

    Routledge  2022.01

     View Summary

    This research project investigates the concepts of absence across the disciplines of theatre, visual art, and performance. Absence in the centre of an ideology frees the reader from the dominant meaning. The book encourages active engagement with theatre theory and performances. Reconsideration of theories and experiences changes the way we engage with performances, as well as social relations and traditions outside of theatre. Sylwia Dobkowska examines and theorises absence and presence through theatre, performance, and visual arts practices. This book will be of great interest to students and scholars of theatre, visual art, and philosophy.

  • Włodzimierz Staniewski and the Phenomenon of “Gardzienice”

    Editors: S. E. Gontarski, Tomasz Wiśniewski, Katarzyna Kręglewska (Sylwia Dobkowska - Translator) ( Part: Joint Translation )

    Routledge  2022.01

  • Justitia: Multidisciplinary Approaches to the work of Jasmin Vardimon Company

    Paul Johnson, Sylwia Dobkowska ( Part: Joint Editing and Writing )

    Intellect Books  2016.06

     View Summary

    This book offers a series of compelling responses to the Jasmin Vardimon Company’s production of Justitia, a multilayered, multimedia dance theatre piece. Through an innovative, visually annotated text, which includes the original script by Rebecca Lenkiewicz, the book attempts to record the experience of the performance. Also included are nine critical responses from scholars and theatrical practitioners who consider the performance through lenses relating to time, collaboration, writing, confession and the law.

Other Papers 【 display / non-display

Presentations 【 display / non-display

  • 効果的なプレゼンテーション 演劇学の視点

    Sylwia Dobkowska

    English Education  (沖縄県立芸術大学)  2025.05  -  2025.05 

  • ‘Art as a means to innovate and instigate change in the university context.’ Focus Group Discussion – Defining core concepts for the University of the Future.

    Sylwia Dobkowska, Meghan Kuckelman, Naoko Uchima

    ryudai+C International forum on innovative & creative university education  2025.02  -  2025.02 

  • Immersive Art Exhibitions

    Sylwia Dobkowska

    Decolonizing Futures, Transforming an Era of Environmental Catastrophe, Poverty, Hatred, Discrimination and Violence into an Era of Hope  (Meio University)  2024.07  -  2024.07 

  • British Theatre and Media

    Sylwia Dobkowska

    Media English  (University of the Ryukyus)  2024.05  -  2024.05 

  • AMA – dancing womanhood across the liquid borders

    Sylwia Dobkowska, Szymon Gredzuk

    Theatre – Literature – Management Conference  (University of Gdańsk)  2024.05  -  2024.05 

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Academic Awards 【 display / non-display

  • Rector's Award of Distinction, University of Gdansk – 1st Degree

    2022.09.30   University of Gdansk  

SDGs 【 display / non-display

  • Theatre in Language Education, Underwater Art, Feminism in Theatre and Education